Saturday, April 12, 2008

buchenwald, die welle, and american schools.

I apologize in advance if I assume you know a lot less than you do. As you see, a lot of the emotion going into this post is frustration, specifically directed at the American educational system. Knowing that people reading this didn't learn German [which is really the only reason I know any German history], didn't study history, or grew up during DDR-times when little information was coming out of this place, I may end up over-informing.

Everyone knows about the famous "Work will make you free" inscription that was over the front gate to many concentration camps (most famously at Auschwitz-Birkenau and Dachau). I was still shocked, however, to see this at the front gate of Buchenwald:A literal translation? "To each his own." Conversational meaning in German? "Everyone gets that which he deserves." This seems so much crueler, somehow, than that infamous promise of freedom. Remember that the prisoners at Buchenwald were not so literally marched to their deaths as was true at some of the more well-known camps. These were mostly political prisoners, sometimes given menial jobs, but mostly left to freeze, to starve, to rot in the middle of the woods near the single most important cultural capital of the German people. A simple google search of this phrase, and you'll also learn that this was the state motto of the Prussian empire. Although it was a part of the Holy Roman Empire*, Prussia was really the first attempt to unite the "German" people, and had (approximately) the current borders on the west side, but also included Denmark, and reached up along the Baltic Sea through most of current day Poland and. That is, that's how far it spread before Hitler started marching all over the place. So, then, what does this mean? Is it a political statement? Some kind of call to return to the past? Or is it really as backhanded as it seems - a command to shut the hell up? I'm not certain...

The whole time we were in Buchenwald, I kept thinking over and over: why didn't anyone stop this? I mean, even of people didn't want to see it themselves (and that I totally understand), doesn't there come a time when the desire to look away is overcome by the knowledge that another human being is suffering? Of course, there's a well-known poem (with many many variations) to this effect, from Martin Niemöller:

When the Nazis came for the Communists,
I remained silent;
I wasn't a Communist.

When they locked up the Social Democrats,
I remained silent;
I wasn't a Social Democrat.

When they came for the trade unionists,
I didn't protest;
I wasn't a trade unionist.

When they came for the Jews,
I remained silent;
I wasn't a Jew.

And when they came for me,
There was no one left to speak out.
Regardless of what people then did or didn't do, the monument that finally knocked some sense into me (which I couldn't get a good photo of, but Zach might've?) reads: "So that the generation to come might know, the children, yet to be born, that they too may rise and declare to their children" (Psalm 78:6).** It hit me that I was somehow lucky to be able to see this. Too many Americans will never be able to go there and to look at those spaces where people suffered and died. Too many kids don't hear about the Holocaust (let alone all the things the Soviets did at Buchenwald) save for one week in the year during history class - that if they're lucky, too. My overwhelming sense is that we want too badly to be the heroes of history. The version of WWII that's most popular seems to be Oh, yeah, they were doing some fighting over there in Europe, but we marched in and put an end to all that crap. God Bless America, right?! God forbid we discuss the massive numbers of Russians that died during that giant mess, so that we might look like heroes. And then what of Mussolini and Stalin? Why is Hitler the only example we're given, when he is not the only face of fascism? Why were the events at Abu Ghraib laughed off and then so easily forgotten? What isn't my government telling me about what happens at Gitmo, and why, exactly, are they so opposed to me traveling to Cuba (don't give me that crap about economic embargo. I'm not buyin' it.)?
Monument for women and girls: No one took their goodbye. No one erected a cross or a stone. But you shall live, as long as people keep your memory. [my translation]

And then, of course, German film... Oh, will you never tire of capturing all the scary, scary things that happen in America? [I hope not]

When I was in Köthen, Jan gave me a bunch of movies to watch. He said it was homework, that these were the things I needed to know about Germany. Admittedly, Jan had a very particular view of what was important about his culture, and a lot of his slant could be attributed to the fact that he worked/works for the German Army. So I watched a lot of movies about Nazis and Punks and being in prison and getting in knife fights. It was exciting. One, in particular, that struck me was Das Experiment. You might've seen it, actually, under the title The Experiment. It was subtitled and released on video, if not run through theaters. It was based on a Stanford U experiment about power, authority, and the sociology of prison interactions. 24 men were paid to take part in a mock-prison situation, randomly assigned as either prisoners or jail keepers, and given minimal supervision. Essentially, things got way out of hand, and the proposed 14-day experiment was called off after only 6 days. Hmm. Stanford University. That's a respectable place with intelligent people. And yet, they allowed men to humiliate and torture each other for six days. Had you heard of it? I hadn't. But every high schooler in Germany learns about the experiment, as well as many of the investigator's buddies' experiments, in their Social Studies classes. Even though it happened in AMERICA - not here.

Take two: Die Welle. Read about this one in the newspaper. It's a German movie with German actors that plays out in Germany, but it's baed on an American high school teacher (Ron Jones) in Palo Alto, California who put his history class to an experiment based on the premise that the Holocaust would never happen in America. People wouldn't go along with the Party, was the claim. And yet, the students created their own Party (the Third Wave), uniform, salute, icon, manner of behavior (including being drilled on entering the classroom quickly and silently), and followed their teacher like good little Hitlerjugend within three days. Heard of it? Nope, me either. There's a movie about it - made in America in 81 but apparently swept under the carpet - and a book, which most German high schoolers read, naturally. Fair enough, I'm sure German kids are sick and tired of hearing about all the awful things their grandparents allowed to happen more than 50 years ago. I get that. In fact, Die Welle did an excellent job of addressing that boredom; at the start of the conversation, which is prompted in the film by a project week on forms of government, one student says, "I'm sick of these damn Nazis. Autocracy. Fine. Can't we talk about the Bush Administration?" Hmm. The Bush Administration, you say. I dare you to find a cross-section of American high school students who would be able identify the ways in which the current government could be considered autocratic or fascist. Anyone think that has anything to do with the fact that we don't talk about autocracy or fascism, or even what real democracy might look like - psst. here's a hint: America's not one! I cannot believe our inability to be honest with ourselves. The first steps to recognizing and putting an end to unhealthy government policies is learning about past mistakes. Allowing a majority of citizens to be and remain disenfranchised, struggling, and hungry, on the other hand, sounds like a fast-track to fascism to me.

Well, this has gone on long enough. Sorry for the rant.

Hearing: Ben Harper.
Reading: Lessons for next week (practicing, really, more than reading...)
Making: Intrelac scarf from baby alpaca yarn.

*PC, remember when I said things in Weimar looked Prussian, and not German? What I couldn't figure out how to articulate then rests here. Prussia was essentially Roman, and not "purely German."
**Without being able to read the Hebrew version, the feeling of the German text on this monument had a different feel to me. Naturally, they used some translation of the bible that they felt was fitting and accurate to the original text, but it was the German that struck me. I would translate it like this: "So that the Generation to come, all the children yet to be born, they too will stand and tell this to their children."


PS. I know, Zach, I know... Just... save it.

Thursday, April 10, 2008

photography

I discovered two photographers today that I love: Albrecht Tübke and Diane Arbus. Both are "street photographers," meaning their subjects are just every day people, not models. Tübke's are also German, so of course they hold a special place in my heart. Some of my favorite examples: They have such awesome attitudes about them. I don't know if Tübke is just good at spotting attitude or if he poses them (I really hope not but I suspect so, since many have similar postures) but they all look like they think they're the shit.
Of course, this woman actually is:I want to model my entire wardrobe after this photo.

I'm no expert on photography, so all I can do is go with the stuff I read, which cites Arbus as a predecessor of this style. However, Arbus became best known for photographing "outsiders" in the middle of the 1900s:
Her unrelentingly direct photographs of people who live on the edge of societal acceptance, as well as those photographs depicting supposedly "normal" people in a way that sharply outlines the cracks in their public masks, were controversial at the time of their creation and remain so today....
Arbus's pictures are almost invariably confrontational: the subjects look directly at the camera and are sharply rendered, lit by direct flash or other frontal lighting. Her subjects appear to be perfectly willing, if not eager, to reveal themselves and their flaws to her lens.
She said of her pictures, "What I'm trying to describe is that it's impossible to get out of your skin into somebody else's.... That somebody else's tragedy is not the same as your own." And of her subjects who were physically unusual, she said, "Most people go through life dreading they'll have a traumatic experience. [These people] were born with their trauma. They've already passed their test in life. They're aristocrats." artphotogallery.org

Alright, make that three. Shortly after I started writing this entry, I checked facebook, and one of the things on my news feed was that Tamera had posted a link to the Wellcome Collection, a series of photos taken of people shortly before and then just after their deaths. Quite different, but also striking.

Tübke photos via http://www.tuebke.info/
Arbus photos via http://www.artphotogallery.org/02/artphotogallery/photographers/diane_arbus_01.html
[discovery via bits and bobbins.]

Wednesday, April 2, 2008

oh yeah.

I actually did cook a tiny bit while the groups were here... One recipe doesn't have a picture, though, and the other one came out gritty and grey. Sorry.

Mexican Tortellini
1 portion tortellini
1 can black beans
1 can sweet corn
1 small tomato
2 tsp cilantro

Cook pasta, drain. Warm beans, tomato, and cilantro over medium heat. Add corn but do not heat. Serve with sour cream, cheddar cheese, and salsa.
***

Indian Tuna Casserole
1 1/2 cups cooked pasta, any kind
1 can tuna in water
1 small can sweet corn, drained
1/2 small can sliced mushrooms, drained
2 cups light sour cream
2 slices Gouda cheese
curry powder, to taste

Cook pasta, drain. Fluff tuna with fork and add to pasta. (I decided to mix up the tuna and pasta before adding anything with liquid that would make the tuna sticky and clumpy again. If you like big ole chunks of tuna, skip this step.) Add vegetables and sour cream and stir over low heat. Add curry powder until sauce is just slightly yellow. Place cheese on top and bake for 25 minutes at 100*C.

Whatever. Not like you're gunna cook it anyway.

phew.

Well, that was exciting.

All the groups are home (more or less without incident), I'm back in Eisleben for a quiet little week of recuperation, and spring has come! [knock on wood]. Yep, that's right, although it snowed less than two weeks ago, I've been running around in shirt sleeves and skirts for the last three days. Well, running around may be an exaggeration. I've been wearing them. I haven't been running anywhere, and really haven't left my apartment much except to fraternize with my host family in the garden. I can't tell you how excited I am. I'm a little mad at myself for not sending more of my bulky warm clothes home with my parents, but whatever. It's like, 12*C!! Good times.

Hokay... Catch up.

Erfurt is pretty much my favorite place on earth right now. Alright, that's an exaggeration, but it was the only place I got to breathe for the last month, and so I have a little bit of an attachment. It's also just a cool place - big enough that stuff is going on, but very laid-back at the same time. Additionally, it has the best street art/graffiti I've ever seen. I actually "collected" it, it was so cool. Dang, I need to get that up on flickr.

With the UniLu group I got to go to Weimar, a place that everyone in this region raves about. It's been a center of German culture, art, and intellectual thought for a long long time, and in many ways is considered the "heart" of Germany. Buchenwald, a Nazi and later Soviet work camp, is just outside the city walls, which means less to us, maybe, than it does to Germans. It was a shock to many people, after the war, that such a thing was happening so close to an important city. In reality, much of that shock was probably about being forced to look at the things they had been ignoring for such a long time, and its proximity to Weimar was just the salt in the wound. Buchenwald was not a death camp in the way that Auschwitz was, and housed more political prisoners and dissidents (including Ernst Thälman and Dietrich Bonhoeffer; Elie Wiesel was also here, but not because of politics) and than Jews. I feel I need to write much, much more about the experience of going there, but it may be better suited for another post.

I finally got to spend an afternoon in Berlin, again with UniLu, but I still haven't gotten to see the things I wanted to go back for. Mostly, right now, I want to go to the Käthe Kollwitz Museum. But of course I still have time.

Travel plans: Prague/Dresden and Italy are pretty much certain, but I need to talk to Franzi and Jon about when. I could go to Sweeden with some people from the JG and Scott, but I don't really have any particular interest in going, and I think I'd rather spend my money seeing something I'm dying to see. Will invited me to Spain, but that'll be a matter of when he could host me. I'm currently toying with the idea of going to Barcelona and Paris, then to Ireland, and flying back. Dang I wanna go to Ireland so bad. Problem is that I don't know anyone there, and I really don't want to go by myself.

The job with BSC is definite. I'll be getting my contract in the mail soon, and then I suppose it'll be time to look for a plane ticket? Man, that's weird. I may have mentioned before that I have a Rosetta Stone program for Latin American Spanish, or maybe not. Either way, I do have one, and I've been feverishly trying to learn enough phrases to not sound like an ass when I show up on the border. It's coming along, only very very slowly.

Anyway, I've decided to stay home for the summer, unless something pretty serious changes. It's just too expensive to fly back here for two more months of wasting my time. If I'm in the states, I don't have to pay rent, I could maybe earn some money, and at the very least, I'm blessed with friends who enjoy having fun for free, something that doesn't work out real well here. Best case scenario, I can split my time between the mountains and the beach and I won't get sunburned too bad. Also, re-acclimating to heat is sounding pretty pretty good right now. The prospect of leaving 18*C for a desert is not so great if you ask me.
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